I recommend a wonderful interpretation of Bizet`s “Carmen”, by the Argentinian artists Lolo and Lauti:

“This film by Lolo and Lauti (and Rodri) is a metaphor in constant transfiguration. It unveils and it conceals. It is protean, provocative, eccentric, and uproarious. Restlessly moving, it fractures, darkens, flickers, expands, compresses, and multiplies. The shots, sequences, and special effects, like the artists on stage, subvert every univocal identity. It celebrates an art that delights in creating and bursting illusions; in putting on the mask and taking it off.” (Adrienne Samos)